The uncensored, incredible, non-commercialized Cee-Lo we know and love:

Amy's raw-as-sushi rendition of "Love is a Losing Game."






The uncensored, incredible, non-commercialized Cee-Lo we know and love:

Amy's raw-as-sushi rendition of "Love is a Losing Game."






Off of Radiohead's highly anticpated "The King Of Limbs."
Go do a little dance.♥


"I'll never love no one the way I loved you
A mashup of The Pixies and Girls, Grouplove deliver multi-dimensional musical bliss on Colours, the runaway hit from their debut EP, which dropped only a few short weeks ago and is already garnering radio play on the current and vociferous declarations of love from indie fans across the nation. Colours caught my eardrums the other night and had me instantly turn the dial up without hesitation. Delivering unmatchably wry and beautiful lyricism and one of the catchier hooks I've heard in a while, Grouplove showers its listeners in indie-rock ear-nirvana.
[photo : Star Tribune]
Through the often times tumultuous nature of growing up, we are all apt to suffer a few losses. Friends and lovers, houses and schools, but mostly ideas. The great news is that despite the unpredictable nature of life and the frightening facts of trying to navigate adulthood, music and all it stands for can never abandon you. As Ms. Hill would say, "you are my peace of mind." Music is truly the greatest comfort, most unfailing, inspiring art form in my life.
Moody and languid, The Suburbs is Arcade Fire's latest and greatest album. Bashfully discovering this gem about 4 months after its release, I was amazed at the change of pace from previous Arcade Fire tracks. While former releases (such as Neighborhood #1) proved evocative and trance-like, their latest album is purely transformative.
An immediate standout is Ready to Start. "If the businessmen drink my blood, like the kids in art school said they would - I guess I'll just begin again, you say can we still be friends? Well if I was scared, I would, and if I was bored you know I would..." Not only does the lyricism on this song command a sort of Holden Caulfield nuance, it serves as a great introduction to the album's tone as a whole; that of an indie extravaganza that is simultaneously semi-detached and drenched in sentiment.
Another standout is Modern Man, with a deliciously Kings-of-Leon flavor. "So I wait in line I'm a modern man; maybe when you're older you will understand; why you don't feel right - why you can't sleep at night." On the orchestral Half Light I the album climbs the heights of its creative pinnacle; seamlessly carving out a timeless hipster-slow-dance-anthem. This song is by far the most genuinely alternative, screaming out to be used in combination with black and white still-lifes or as the backdrop for a Sofia Coppola film. "Oh this city's changed so much since I was a little child, I pray to God I won't live to see, the death of everything that's wild." Stripped down yet complex, The Suburbs is a timely amalgamation of all things starkly beautiful.